Job: PhD candidate
Faculty: Arts, Design and Humanities
School/department: School of Media and Communication
Research group(s): CATH Research Centre
Address: Æß²ÊÖ±²¥, The Gateway, Leicester, UK, LE1 9BH
T: n/a
E: eve.bennett@email.dmu.ac.uk
W: www.dmu.ac.uk/research/centres-institutes/cathi/index.aspx
Eve is an AHRC-funded PhD student at the Cinema and Television History Research Centre. Her PhD research focuses on the representation of gender in post-9/11 American apocalyptic television. Previously, while studying for her MA in Cult Film and Television, she worked as the administrator and research assistant at the Brunel University Cult Film Archive.
Bennett, E. (2012) Techno-Butterfly: Orientalism Old and New in Battlestar Galactica. Science Fiction Film and Television, 5 (1) pp. 23-46
Bennett, E. (2011) Deconstructing the Dream Factory: Personal Fantasy and Corporate Manipulation in Joss Whedon’s Dollhouse. Slayage: The Journal of the Whedon Studies Association, 9 (1) [online]
Bennett, E. (2012) Deus ex Machina: AI Apocalypticism in Terminator: The Sarah Connor Chronicles [paper]. Don’t Panic: The Apocalypse in Theory and Culture, University of Kent, May 25-26